July 25 – August 29, 2026

State of impermanence, Niko Chodor's first exhibition with as-is, examines the visual language of identity documents and the bureaucratic systems through which identity is constructed and authenticated. Drawing from the intricate security patterns found on passports, visas, and permanent resident cards, Chodor meticulously redraws, enlarges, and reconfigures these otherwise overlooked designs, separating them from their administrative function. The resulting works consider the relationship between identity, borders, and nationhood, revealing the often invisible aesthetic structures that underpin systems of belonging. Presented in conjunction with Carter Potter's Picture Snatcher, State of impermanence offers a nuanced meditation on migration, authorship, and the constructed nature of national identity.

July 25 – August 29, 2026

Picture Snatcher marks Carter Potter's return to a group of paintings that unexpectedly entered popular culture when they appeared as set dressing in a 2018 episode of the television series Good Trouble. Bringing together the same eight works featured in the fictional exhibition depicted onscreen, Potter revisits this unlikely collaboration between contemporary art and television production, reconsidering the alterations made for the camera and the shifting relationship between artwork, reproduction, and display. Presented in conjunction with Nico Chodor's State of Impermanence, the exhibition offers a thoughtful reflection on authorship, mediation, and the conditions under which images are seen.